Saturday, July 7, 2007

Everything's Heating up for Brad Paisley

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(gactv.com)

Brad Paisley's Bonfires and Amplifies tour has become quite a hot ticket. Playing to more than 250,000 fans through the first 23 shows, Brad has seen an increase in attendance of 42 percent over his 2006 Time Well Wasted tour, which Pollstar ranked as the No. 4 country tour of the year for attendance.

Meanwhile, the music video for Brad's current single, "Online," has topped the iTunes Sales Chart, making it the first time a country video has ever topped the list.

The video for "Online" reunites Brad with friends and guest stars William Shatner and Jason Alexander (who also directed), both of whom appeared in the video for his 2003 chartbuster, "Celebrity."

Mixing concert footage with a bevy of special guests (including consummate dream-girl-next-door Maureen McCormick; Estelle Harris, Jason's TV mom on "Seinfeld"; and Brad's tourmates Kellie Pickler and Taylor Swift), the video follows a humorous storyline showing how easy it is to hide your shortcomings and be "so much cooler online."

 





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Police Arrest Man Posing as Merle Haggard's Son

(gactv.com)

A Charlo, Mont., man has been arrested for impersonating Merle Haggard's son, Noel Haggard, The Daily Inter Lake reports.

A man police identified as Mark Sams, 48, was signing autographs and having pictures taken with him for a fee Saturday outside the Valley Club lounge in Ronan, Mont., police said. After receiving several complaints, police made contact with Sams and determined he was not Noel Haggard. He told police his name had been changed when he was a child to protect him.

An agent for the Haggard family told authorities that Sams is an impostor and not related to Merle. Sams admitted to signing autographs and posing for pictures using Noel's name but denied accepting money for them. He was arrested on an outstanding Montana warrant for issuing bad checks, and he also has a warrant for his arrest out of Maryland. He is being held at the Lake County Detention Center.

 




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Friday, July 6, 2007

Neal McCoy Pictured on Old Milwaukee Cans

(cmt.com)

Neal McCoy is featured on cans of Old Milwaukee beer in the Ohio area to promote Country Concert, a music festival taking place Thursday through Sunday (July 5-8) in Fort Loramie, Ohio. McCoy, who will provide the final performance of this year's event, has performed at the festival for 10 years, more than any other performer. The special edition cans are also available in Kentucky, Indiana, Michigan, parts of Illinois and western Pennsylvania. Other headliners at this year's festival include Trace Adkins, Big & Rich and Toby Keith.
 
 




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Jamie O'Neal, Capitol Nashville Part Ways

(cmt.com)
 
Jamie O'Neal has exited the roster of Capitol Nashville, a label representative has confirmed. She released one album, Brave, on the label in 2005 and notched a Top 10 hit with "Somebody's Hero." A new single, titled "God Don't Make Mistakes," was released earlier this year but peaked at No. 47. She released Shiver on Mercury Nashville in 2000, which brought her two No. 1 hits, "There Is No Arizona" and "When I Think About Angels."
 
 




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Thursday, July 5, 2007

Trisha Yearwood to Release New Single

feature 

Multi-platinum and Grammy-winning recording artist Trisha Yearwood signs on the dotted line alongside Scott Borchetta, CEO & President of Big Machine Records on Thursday, May 10, 2007. Trisha's new CD is expected to be released in early 2008.
Photo by Krista Lee, courtesy of Krista Lee Photography

(gactv.com)

July 3, 2007 — Big Machine Records president & CEO Scott Borchetta announced that Trisha Yearwood's first single for the label is set for a July 30 airplay date.

The song, "Heaven, Heartache and the Power of Love" will be the first song released from her upcoming album of the same name. The first studio recording from Trisha since 2005, the album is produced by Garth Fundis.

Fans will have the chance to preview a clip of the new single on Trisha's website, trishayearwood.com, and her MySpace page, myspace.com/trishayearwood, beginning July 13.

The single will be delivered digitally to country radio on July 16.

 




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Tracy Lawrence Says He's Back

feature

(gactv.com)

Earlier this month, Tracy Lawrence found himself in a place that some thought he would never reach again: the top of the Billboard/R&R charts, a position he hadn't held in 10 years.

Tracy hit No. 1 with "Find Out Who Your Friends Are," a song featuring his longtime friends Tim McGraw and Kenny Chesney. "I think I'm back," Tracy tells The Tennessean. "I do. I feel very strongly about that."

Tracy, who sought counseling after being convicted of a misdemeanor battery charge stemming from a marital quarrel in 1998, says he accepts full responsibility for his self-destructive past and has no ill will for those in the industry who dropped him.

"The divorces in my life have been the most dark times in my life, and I made a lot of mistakes in that period," he says. "A lot of people were hurt by my actions. I hurt a lot of the fans that followed me. I lost the respect of my industry. I destroyed myself personally and professionally. It's been a personal mission of mine to get back to where I am now. It feels very good to be embraced by the industry again."

Tracy says it was his lifelong passion for country music that kept him going. "I have a great deal of determination, and I've always believed we would get back to this place," he says. "I believed in getting to this moment as much as I believed in myself the first time I ever rolled into Nashville."

Tracy is working on an autobiography that will probably be released simultaneously with his next album. "It's got to include all of the dark periods in my life," he says, "and coming full circle and coming out the other side. I want the book to be a story of hope and not despair. I want to get people to believe that no matter what you've done in your life, no matter how many times you've fallen down, if you want to succeed and get your life back on track, you can."

 




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Joy and Pain Fuel Memoir of June Carter Cash

(gactv.com)

When editors at Thomas Nelson Publishers asked John Carter Cash to write a book about his mother, June Carter Cash, he was hesitant at first, he tells The Tennessean.

"I knew that I'd be deciding to talk about some things I'd never talked about before," he said. "I knew if I did that, I'd have to explain the darkness, and make the point the light."

John's book, Anchored in Love: An Intimate Portrait of June Carter Cash, is now in stores, as is the tribute album, Anchored in Love: A Tribute to June Carter Cash, which he produced.

The book touches on the turmoil that existed beyond the spotlight, including Johnny Cash's depression and addictions, which had an enduring impact on the family. Passages about June's late-life addiction to pills also help to provide a clearer picture of her depths and complications than has previously existed.

"I was concerned about writing something that would be taken as sensationalist, and I wasn't going to do it," John said. "But I also knew that it had to be truthful, and that the essence of the story had to end sadly, in some ways. I had to go back through my mother's dying, step by step. I'm hoping that the reader will gain a greater understanding of her pain and suffering and see the joy that was there, too."

In the book, John also details some of his own struggles with addiction and depression and writes about family dynamics that were problematic at times, particularly involving sister Rosey Nix Adams, who died in 2003. Since their parents' death, John and his surviving sisters have drawn closer, he said. "After our mother and father died, we cling to each other tighter in many ways."

As for the revelations in the book, "I believe we're all fallible human beings," John said. "We're all going to struggle. We're all going to hopefully get back up and keep going. As my mother would say, 'Press on.' And I don't have any problems with being an open book. It's in my blood to let the world know."







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Brooks & Dunn Kick Back with Alan Jackson

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             feature

(gactv.com)

July 3, 2007 — Brooks & Dunn's current tour with Alan Jackson is about as laid-back as a tour can be. The guys tell Dial-Global that preparing for their nightly concerts has been low-key all the way, since all three guys are pretty easy-going.

However, Kix Brooks and Ronnie Dunn recall that things were not quite so simple when they were touring with Reba McEntire. "She'd rehearse for four weeks," Kix says. "She had yellow dots here, red dots here, blue dots here and green dots there. We'd walk in there for ten minutes and try and get a set list together and go, 'That looks pretty good' and she'd go, 'Wait, wait, wait, wait, wait, wait?' "

Kix says Alan "kind of has our schooling, you know? We stumble around out there and figure it out as the tour goes on."

"It's not planned," Ronnie explains. "It's real loose. Every night he'll walk in and go, 'Y'all gonna do an encore?'"

 




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LeAnn Rimes in the Movies

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(gactv.com)

Yes, that is LeAnn Rimes' voice you hear singing "Are You Ready for a Miracle" during the closing credits of the new film, Evan Almighty. No stranger to the big screen, LeAnn tells Dial-Global she's actually getting ready to lend her acting talents to another upcoming movie project pretty soon.

"I'm gonna be working on a film called Good Intentions that's gonna be shooting right outside of Atlanta next month," she says. "I have a small part. A very good friend of mine, Elaine Hendricks, is the lead character. It's the first thing I've read in a while that I thought, 'This is really funny,' and it takes five days out of my crazy schedule right now. I'm reading things, definitely, but I want to tell great stories through film as much as I do with my music, and that's a process of reading a lot of things till I find something that really hits home with me."

LeAnn also graces the cover of Shape magazine this month. In the accompanying profile she talks about her diet. "I never deprive myself, and nothing is off-limits, she admits. "But I'm a health nut, too, so I try to keep my diet in check."

The issue includes four pages of photos of LeAnn demonstrating yoga poses. LeAnn, who has been doing yoga for four years, says, "I was so tight it was making me irritable and tense. I knew if I could stick with it, yoga would improve my flexibility and posture in ways my regular strength and cardio routine couldn't. To recover [from a performance], I do a 10-minute mini-practice in my tour bus after every show. All that stretching and deep breathing releases tension, and makes me feel balanced."





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Keith Urban Champions the Wreckers

(gactv.com)

Keith Urban resumed his Love, Pain & the whole crazy thing World Tour with his opening act, The Wreckers, last Thursday after spending a few days off in Australia celebrating the birthday of his wife, Nicole Kidman, and their first wedding anniversary.

Keith tellsicebergradio.com that he tapped The Wreckers for the coveted slot on this tour because he's a fan of Jessica Harp and Michelle Branch, both professionally and personally.

"I love their record, he says. " There's a spirit there that just appeals to me. I met Jessica and Michelle a while back, and I just like their attitude. I like their vivaciousness and the fact that when they get up and perform they're very focused on giving the audience a great show and playing with the audience, not playing at them."

The tour rolls on to Austin, Tex., tonight, and then to Houston and Dallas on Thursday and Friday.





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Rascal Flatts Releases New Single

 
feature

(gactv.com)

July 3, 2007 — Rascal Flatts have released the first single from their upcoming album, Still Feels Good. The song, "Take Me There," was written by Neil Thrasher, Wendell Mobley and Kenny Chesney.

The guys have spent a good part of the summer working on the new album, and before heading into the studio, Joe Don Rooney told Dial-Global what the guys hoped for in this new project. "I think we've tried to grow with every album we've put out, and Me and My Gang has definitely been the highest growth spurt yet," he said. "But there's really not a whole lot of method to our madness. We just try to find the best songs we can record.

Joe Don says that through the years the trio has had the opportunity to work with some great producers. "With Dann Huff on Me and My Gang, it took us to a different level," he said. "It put some new life into Rascal Flatts, and with this new album we're doing the same thing. We're just trying to find great songs...trying to re-inspire ourselves once again to make something even better, if that's possible."

The new album, which will be the group's fifth, is due in stores on September 25. In support of the CD, the guys will launch their Still Feels Good Tour on July 13 in Uncasville, Conn. In 2006, the group performed before more than one million fans in concert.





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Wednesday, July 4, 2007

Hollywood Bowl Concerts Honor Gene Autry

(cmt.com)

Riders in the Sky Saddle
Up With Los Angeles
Philharmonic for Three-Night
Celebration
LOS ANGELES -- The cowboy is a uniquely American icon, a rugged image associated with the nation's expansion, the early days of the cinema and the pioneering era of country music, formerly known as country & western.

So it's only
appropriate that the cowboy became the centerpiece for a celebration at the vaunted Hollywood Bowl, as Riders in the Sky joined the Los Angeles Philharmonic under western skies Monday (July 2) in the first of three nights honoring the legacies of John Wayne and Gene Autry, who were each born 100 years ago.

A member of the Country Music Hall of Fame, Autry had a huge impact on 20th century American culture, building many of the blocks upon which modern country music was built:

  • He headlined a rodeo that annually spent a month at New York's Madison Square Garden decades before Kenny Chesney or Rascal Flatts ever hoped to play the venue for just one night.

  • He became one of the genre's first strong businessmen, lending his name to lunchboxes and guitars, buying radio stations and founding the Los Angeles Angels of Anaheim baseball franchise long before Reba McEntire put her name on clothing and before Garth Brooks reclaimed the rights to his own recordings.

  • And Autry's use of the silver screen and TV to develop a specific image were years ahead of the video revolution. In fact, the image that Autry burnished in the public mind still echoes in the visages of George Strait and Alan Jackson, among others.

    Autry never saw himself as a spectacular performer in any field. He was more pleasant than passionate as a vocalist, and no one ever held him in the kind of esteem as an actor that was bestowed upon, say, Marlon Brando.

    But he was tireless as a public figure and devoted to using his platform for the benefit of his fellow citizens.

    "I want to show [the kids] that in this country everybody has a chance -- just as I did," he's quoted in Gene Autry and the Twentieth-Century West: The Centennial Exhibition on display at the Autry National Center in Los Angeles through Jan. 13. "We should show young people the decent, good things that are in this country; things that don't exist now in other countries of the world."

    To that end, he regularly visited children in hospitals of the towns where he performed, and he showed his support for the nation's efforts in World War II by publicly enlisting in the service on his national radio show -- and by refusing to wrangle out of military duty when the head of the Republic film studio suggested they push for a deferment.

    Autry's ideals were, it would appear, as black and white as the film on which he was most often presented. They're certainly anachronistic in an era that finds the raunchy image of a Paris Hilton acceptable and gives the use of steroids in baseball little more than a shrug.

    Riders in the Sky's unique ability to play with that other-era dichotomy made them the perfect voice for the Autry celebration in what is arguably the perfect venue. The Hollywood Bowl is just three exits down U.S. 101 from Autry's former home and a little more than two miles from Gower Gulch, the area where the studios that made the first Western films were located.

    The Riders' get-up -- chaps, fringe, cowboy hats and boots -- plays right into Yosemite Sam visuals, and their smooth, masculine vocal work mirrors the easygoing nature of western music's most acclaimed group, the Sons of the Pioneers (who, incidentally, came to fame on L.A. radio station KFWB.)

    But the Riders wisely play with the out-of-step nature of the cowboy way they help to preserve. Bassist Too Slim grabbed his saguaro-shaped neckwear in mock surprise: "Black tie!? I thought it said 'cacti!" He would also deliver a weirdly funny rap that turned Eminem's Slim Shady character to Too Slim and made a fairly modern reference with a parting Star Wars allusion: "May the horse be with you."

    Ranger Doug, the Riders' lead vocalist, proved to be a remarkable speed yodeler. Complementing Woody Paul's nimble work as a fiddler, Joey Miskulin provided an important link to western music's Mexican influences with his conjunto-flavored accordion.

    And they hit the highlights of western music's progression, kicking off with Autry's signature "Back in the Saddle Again," kicking up dust with the Pioneers' "Tumbling Tumbleweeds," running through their own contributions to the animated Toy Story 2 and closing with the Roy Rogers classic, "Happy Trails."

    Most of the silver-screen cowboys have ridden off into the sunset, though their effects can still be detected in country's current evolution. The ubiquitous Stetson still tops the heads of Brad Paisley and Toby Keith, and cowboy themes play in such hits as Tim McGraw's "The Cowboy in Me" and Big & Rich's "Save a Horse (Ride a Cowboy)." Even the storyline of Autry's "South of the Border (Down Mexico Way)" is reprised in Strait's hit version of Merle Haggard's "The Seashores of Old Mexico."

    In this centennial year, Autry is being remembered in a big way, and not just with the Hollywood Bowl series, which concludes Wednesday (July 4). Holly George-Warren wrote an engaging biography, Public Cowboy No. 1: The Life and Times of Gene Autry. Vince Gill, John Anderson and Glen Campbell lead a bevy of artists in the just-released album, Boots Too Big to Fill: A Tribute to Gene Autry, and Riders in the Sky reissued an album of Autry songs, including "Sioux City Sue," "Mexicali Rose" and "Be Honest With Me."

    The latter title provides something of a clue about the way his legacy is being treated. Both the George-Warren book and the Autry Center exhibit are honest about his history, acknowledging both his successes and his weaknesses, particularly a midlife battle with the bottle.

    That's probably part of the reason the cowboy prospered as an American icon in the first place: He never backed down from a fight, even if that fight was with himself. Autry, in his public persona and it seems in his private life, embodied a good-natured feistiness that represents how most Americans choose to see themselves.
  • Josh Turner Releases Live CD

    (cmt.com)

    Josh Turner's Live at the Ryman was released Tuesday (July 3) and is available exclusively in Cracker Barrel stores. Turner recorded the album at the famous Nashville venue on April 19. Cracker Barrel is sponsoring Turner's tour and also featured him in its radio advertisements. The 14-track album includes some of Turner's own songs, such as "Way Down South" and "Long Black Train," as well as covers of George Jones' "He Stopped Loving Her Today" and Hank Williams' "I'll Never Get Out of This World Alive."
     




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    Doug Supernaw Committed to Mental Institution

    (cmt.com)

    Doug Supernaw was committed to a mental institution on Monday (July 2) according to the Houston TV station KPRC. As previously reported, Supernaw was ordered by a judge to undergo a psychiatric evaluation after making several unusual claims in court on April 3 in Bryan, Texas. He had been in court to answer to a misdemeanor charge for avoiding arrest after a confrontation with a police officer. In recent years, he has been charged twice for marijuana possession. His hits include "Reno" and "I Don't Call Him Daddy."




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    "Yakety Sax" Man Boots Randolph Dies

    (Calvin Gilbert, cmt.com)

     

    Saxophonist Boots Randolph, best known for his 1963 instrumental hit "Yakety Sax," died Tuesday (July 3) in Nashville following a brief hospitalization. The 80-year-old musician suffered a subdural hematoma, a collection of blood on the surface of
    the brain, on Wednesday (June 27).

    In addition to his stature as one of Nashville's most prominent instrumental artists of the '60s, Randolph's work as a studio musician helped shape what became known as the Nashville Sound. At the height of his studio work, Randolph often found himself performing on more than 250 sessions each year, including recordings with Brenda Lee, Chet Atkins, Roy Orbison and many others.

    Born June 3, 1927 in Paducah, Ky., Homer Louis Randolph III grew up in Cadiz, Ky., and began playing saxophone at age 16. Because he and his father shared the same name, a family member gave him the nickname of "Boots."

    He later performed in the U.S. Army Band and began working as a professional musician after his discharge in 1946. Following stints in local bands in Illinois and Indiana, Randolph moved to Nashville after mandolinist Jethro Burns of Homer & Jethro brought him to the attention of Atkins, who served as head of RCA Records' country division.

    Randolph's original version of "Yakety Sax" was released on RCA, but he later re-recorded the lively song for Monument Records. The Monument version proved to be the hit. Although it only peaked at No. 35 on the pop music chart, it remains one of the most recognizable instrumental recordings ever made in Nashville. He co-wrote the song with guitarist James "Spider" Rich. Randolph frequently remarked, "That song is what took me out of the hills of Kentucky and put me in the hills of Tennessee!" Atkins took the melody to No. 4 on the country charts in 1965 with a guitar version he renamed "Yakety Axe."

    In addition to the sessions Atkins produced for numerous RCA artists, Randolph also worked closely with producer Owen Bradley at Decca Records. A 1958 recording session with Brenda Lee led to Randolph's three-decade history of playing on her records. He's featured on many of the singer's most famous recordings, including "I'm Sorry" and "Rockin' Around the Christmas Tree."

    Randolph was also the first saxophonist to ever play on any of Elvis Presley's records. After appearing on Presley's 1960 recording of "Reconsider Baby," he eventually contributed to the soundtracks for eight of Presley's films. During his career, Randolph also recorded with a diverse collection of artists ranging from Buddy Holly, Johnny Cash and Alabama to clarinetist Pete Fountain and trumpeters Al Hirt and Doc Severinsen. His saxophone work is heard on Orbison's "Oh, Pretty Woman," and Randolph even appeared on REO Speedwagon's 1972 cover version of Chuck Berry's "Little Queenie."

    As a solo performer, Randolph recorded more than 40 albums, including the recently-released collection of standards, A Whole New Ballgame. During the '60s and '70s, he spent 15 years touring with Atkins and pianist Floyd Cramer. He later worked in the Million Dollar Band, a group that included Atkins, Cramer, Burns, Danny Davis, Roy Clark, Johnny Gimble and Charlie McCoy.

    He was a frequent guest on national television programs, including The Ed Sullivan Show, Kraft Music Hall, The Tonight Show With Johnny Carson and other variety and talk shows hosted by Merv Griffin, Mike Douglas and Joey Bishop.

    At the time of his death, Randolph had tour dates scheduled through November, including a two-night stand in October at the Iridium, a jazz club in New York City.

    He is survived by wife Dee Randolph, son Randy Randolph and daughter Linda O'Neal, all of Nashville. Funeral services are pending.

     
     




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    Monday, July 2, 2007

    St. Jude Recognizes Randy Owen

    (gactv.com)

    July 2, 2007 — Alabama's Randy Owen was honored for his involvement with St. Jude's Children's Research Hospital during a gala marking the organization's 50th anniversary and celebrating the life of its founder, Danny Thomas.

    Danny's son, Tony, presented Randy with the Founder's Award, an honor he said his father only handed out on very special occasions. Randy helped start the Country Cares for St. Jude Kids program in 1989 after meeting Danny, and the program has become one of the most successful radio fundraising events in the country, garnering more than $310 million in pledges for the hospital.

    In accepting the award, Randy acknowledged the fans of country music, the men and women of country radio and the country music industry for embracing Danny's dream. "Danny Thomas was such a special person," he said. "I didn't have the chance to know him as well as some of you, but it shows you how a good man can inspire you in just a brief time."